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About Divine Aksara

A return to your own story.

The work of Divine Aksara begins with the stories that shape us quietly: what was inherited, what was silenced and what is ready to be seen with care.

Nor Hazlin Di Prima in a white blouse
Nor Hazlin Di Prima · Founder of Divine Aksara

The beginning

In silence and with love, I began choosing myself. In that quiet choice, I found my way back to my heart.”

Sometimes, loving yourself is the hardest thing to learn, especially after years of being taught that you are not enough. This is the story of how I learned to choose myself again.

01 · THE REVEAL

I kept myself hidden behind many masks

For many years, I was lost behind the versions of myself I thought the world needed me to be. My resilience helped me survive, but much of it came from performing strength rather than truly feeling it. I silenced my inner truth, and so I kept myself hidden behind many masks.

I learned how to be the perfect daughter, the ideal wife, the devoted mother, the loyal friend, the responsible colleague, the face of a successful woman. I wore my achievements like proof that I was worthy. But beneath it all, I was afraid my real voice was not enough. So I kept her hidden.

I kept becoming who others expected me to be, until one day, the mask shattered, and the illusion I had created because I was too afraid to see the wounds I tried to hide revealed itself to me. This was when I knew I had to face my wounds: the wounds of my past, the wounds I carried, and release the old versions of me.

02 · THE RELEASE

I could no longer unsee them.

But release did not come gently. Almost as if life knew I could no longer keep living the same way, everything I had built around who I thought I needed to be began to fall apart. My marriage ended. Friendships dissolved. My work came to an end. My body began to break down. And when so much of what had defined me was gone, I was left with a question I could no longer avoid: Who was I when all of it was gone?

I had lost my direction, my sense of identity, and perhaps most painfully, my voice. But in that loss came silence. And in the silence, something began to open. What I thought had broken me became a doorway back to myself. For the first time, I began to see the patterns I had carried for years. I traced the moments when I had abandoned myself, ignored my inner truth, compromised my dignity, or made myself smaller to belong. It was not an easy process.

There were parts of myself, and parts of my past, that I had spent years avoiding. But I could no longer unsee them. And slowly, I began to understand that release was not about becoming someone new. It was about letting go of what had kept me from being who I already was.

03 · THE INNER WORK

Not everything I carried began with me

As I began letting go, a deeper question emerged: What was I actually carrying, and where had it come from? Family Constellation gave me a new way of looking at my life. Through this work, I came to understand something that changed me deeply: not everything I carried began with me.

Some of the pain I had experienced seemed connected to stories, losses, and unresolved grief that existed long before I did. Since my first encounter with Family Constellation in 2019, I have been gently exploring these deeper patterns and learning to recognise what was mine and what I no longer needed to carry. And somewhere in that process, something unexpected happened. I found compassion for myself and for those around me.

I learnt to step out of a victim mindset, no longer feeling as though the world was out to get me. Instead, I began to see that beneath many of our patterns, there can be a deep sense of loyalty and belonging: ways we remain connected to those who came before us, even when we are not consciously aware of it. For me, the inner work became less about fixing myself and more about seeing clearly. Acknowledging what had been hidden. Giving space to what had been silenced. And listening again to the body, the heart, and the voice within me. The more I listened, the more I began to find my way back to myself.

04 · THE RETURN

How Divine Aksara was born

Finding my way back to myself did not mean returning to who I had been. It meant remembering what had always been there.

Through Family Constellation and my own inner work, I began to meet myself with greater acceptance. And perhaps most tenderly of all, I found my way back to the little girl within me, the one I had left behind for far too long.

I also began to see my relationship with my parents and my ancestry differently. I realised I had inherited not only their pain, losses, and the unfinished stories of those who came before me, but also their strength, courage, gifts, and capacity to love. That changed something in me. Beneath everything I had silenced, I began to hear something deeper, a voice that had been there all along. And from daring to release the old script, Divine Aksara was born. For me, Aksara speaks to something within us that cannot be destroyed: the voice of the soul that remains beneath all the stories we have learned to carry. And to me, this is the voice of the Divine.

I know what it is like to wake up in the middle of the night for many years, crying silent tears because I was tired of living the same script: of giving and giving, and yet feeling unseen. Divine Aksara grew from that experience and from my desire to reach out to those who know that feeling too. And as I continue rebuilding my life, I want to offer you a space to remember what was never truly lost and find your way home to yourself.

If I could sum up my biggest epiphany from this journey called “life”, it would be this: once you choose yourself from a place of truth, the right world for you starts choosing you.

Practice and experience

Held with care, informed by a life in story.

Nor Hazlin Di Prima is a certified Family Constellation practitioner, filmmaker, and intuitive guide with over twenty years of experience in storytelling, performance, and creative direction.

Trained in directing for stage and screen in the UK, she has worked across film, television, performing arts, and story development as an actress, director, creative producer, script doctor, and acting coach.

Her work today brings together Family Constellation, intuitive practice, Akashic work, phenomenological energy work, and her ongoing study of feminine archetypes, ancestral memory, and embodied expression.

Her approach is gentle, intuitive, and carefully guided, shaped by both professional practice and lived experience. She holds space for those seeking deeper clarity, emotional understanding, and a more truthful relationship with what they carry.

If and when you feel ready, she would be honoured to walk beside you.

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Nor Hazlin Di Prima in front of an owl mural
Nor Hazlin Di Prima as a child with her mother

Once,
I sat on the floor,
With my back leaning against the door to HER room,
The same door, locked, lights shut, in the silence of the night,
I lowered my head, my ears glued to the ground,
As I listened to her footsteps,
Back and forth, back and forth she went,
Her wailing started, my heart stopped,
I saw her footfalls, lit gently by the falling light of the full moon that night,
And like every other night,
I heard the scream she tried so hard to hide,
Out of her, the pain, too steep,
I cursed the face of destiny, so deep,
Wretched against her flawless soul,
As I cup my tiny hands, pleading for God’s mercy to end her cry of misery.

I knew it since then, it was my grave might,
To carry her despair, towards my own height,
For she is my mother, and I her daughter,
How am I of use if I do not carry this pain for her?
The fault is mine,
After all, it is I who cut her wings and fettered her pride,
Just as it is the curse of the mother to love her sons and daughters,
I am the prison that kept her shackled from flight,
But as I saw how she painted daylight with smiles and gentle nods,
I am awakened by a pain so familiar to me, now,
The cry of a woman lost, a woman drowned by the sorrows of a little girl so lost.

She who was once held tight, carried up so high above her father’s shoulder,
She was her father’s treasure,
Yet she was her mother’s loathing and envy,
For her mother, too, was once the pride of HER father,
But was crudely shunned by HER mother’s dagger eyes of jealousy,
A cruel, repeated pattern of dream defeat.

This lost little girl, behind this locked door,
She is the woman silenced and unseen,
Her lost dreams, taken,
Her desire to win, abandoned,
Her place to thrive, stolen,
I feel my mother’s heart, her broken, shattered heart,
Unseen, unheard, erased by the plight of a woman’s life.

And then one day, I had a dream,
I was on an aimless path,
My fingers trace the peeling paint of the rustic walls, along the sidewalk,
Ambling on the road to uncertainty,
I hear murmurs of laughter and cries of past shadows,
I see the ghosts of the past, eager to share a smile,
I lower my head, eyes closed,
As I listen to my footsteps,
To and fro to and fro I went,
And suddenly, I halt, I see a door,
Keys in my hand, the will to choose.

I hear the sound of her wings, fluttering across the sky,
My eyes, still closed,
Keys in my hand, and the will to choose,
To see, to receive, to embrace,
The bird that once flew across oceans,
Throttled by the seven winds of the raging seas,
With my eyes closed, yielding against the wind.

But fear not, says she,
For I was born with the nocturnal eyes,
A bird of prey, I hunt, scavenge and kill,
Says she. My eyelids still shut, I suddenly see the lost little girl,
Released, as she is now seen,
In all her beauty, in all her glory, she smiles, straight at me.

I see you.
My eyes open, my arms ready to receive,
And like a gift fallen from the clouds, a big, giant white owl falls into my arms,
Its soft feathers, a glimpse of Icarus, claiming its dignity,
Its claws breaking the chains of old wounds,
And in my hand I claim what is mine, a freed bird,
No longer unseen, ready to take flight.

When you are ready

Begin with a conversation.

If you have been carrying more than you speak of, Family Constellation sessions offer a safe space to uncover hidden patterns, honour what has been left unseen, and listen more deeply to the story your heart holds.

Nor Hazlin Di Prima seated in a circular window
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